Uploaded by DJMarioV8 on Nov 16, 2011 http://youtu.be/D96JSg7EmmY Pleas visit: http://www.titanic-in-color.com/ by Marcus Lehner Colorized by Anton Logvynenko Artist: Uriel Natero Music: "My Heart Will Go On" Published on Apr 9, 2012 by DJMarioV8 http://youtu.be/E-2fYl0Hv0I Video tribute to Titanic's 100th Anniversary by Marcus Lehner Colorized by Anton Logvynenko Source: National Geographic FAIR USE STATEMENT: These videos may contain copyrighted material, the use of which may not have been specifically authorized by the copyright owner. I am making this material available in an effort to advance understanding of , political, religion, human rights, economic, and social justice issues, etc. Credit & copyright goes to the entities shown and posted accordingly. Copyright Disclaimer [Rubaiat`s Blog]: The use of incidental copyrighted material is covered under 'Fair Use' (Copyright Act, 1976) Title 17 U.S.C Section 107, with particular emphasis on such use for educational and non-profit purposes. Under Sec. 107 of the Copyright Act (1976), allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. This video and/or material may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this video and/or information is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of Fair Use (Moe, AllSeeingEye). If you wish to use copyrighted material from this site for purposes of your own that go beyond 'Fair Use', you must obtain permission from the copyright owner. Digital Millennium Copyright Act-
In Aug 2008, U.S. District Judge Jeremy Fogel of San Jose, California, ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material. [View the blog`s full Fair Use Copyright Disclaimer at the end of the homepage]
Another look at the Titanic disaster and the actions of those held responsible. Video courtesy and property of the Discovery Channel, please respect copyright and use proper citation.
FAIR USE STATEMENT: This Video contain(s) copyrighted material, the use of which may not have been specifically authorized by the copyright owner. I am making this material available in an effort to advance understanding of , political, religion, human rights, economic, and social justice issues, etc
Copyright Disclaimer [Rubaiat`s Blog]:
The use of incidental copyrighted material is covered under 'Fair Use' (Copyright Act, 1976) Title 17 U.S.C Section 107, with particular emphasis on such use for educational and non-profit purposes. Under Sec. 107 of the Copyright Act (1976), allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. This video and/or material may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this video and/or information is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of Fair Use (Moe, AllSeeingEye). If you wish to use copyrighted material from this site for purposes of your own that go beyond 'Fair Use', you must obtain permission from the copyright owner. Digital Millennium Copyright Act-
In Aug 2008, U.S. District Judge Jeremy Fogel of San Jose, California, ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material.
Using actual recordings of survivors, the story of Titanic is once again told in this emotional documentary made by Discovery Channel.
Video courtesy of the Discovery Channel, please respect copyright and use proper citation.
FAIR USE STATEMENT: This Video [may] contain(s) copyrighted material, the use of which may not have been specifically authorized by the copyright owner. I am making this material available in an effort to advance understanding of , political, religion, human rights, economic, and social justice issues, etc
Copyright Disclaimer [Rubaiat`s Blog]:
The use of incidental copyrighted material is covered under 'Fair Use' (Copyright Act, 1976) Title 17 U.S.C Section 107, with particular emphasis on such use for educational and non-profit purposes. Under Sec. 107 of the Copyright Act (1976), allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. This video and/or material may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this video and/or information is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of Fair Use (Moe, AllSeeingEye). If you wish to use copyrighted material from this site for purposes of your own that go beyond 'Fair Use', you must obtain permission from the copyright owner. Digital Millennium Copyright Act- In Aug 2008, U.S. District Judge Jeremy Fogel of San Jose, California, ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material. [View the blog`s full Fair Use Copyright Disclaimer at the end of the homepage]
Video courtesy of the Discovery Channel, please respect copyright and use proper citation.
FAIR USE STATEMENT: This Video may contain copyrighted material, the use of which may not have been specifically authorized by the copyright owner. I am making this material available in an effort to advance understanding of , political, religion, human rights, economic, and social justice issues, etc
Copyright Disclaimer [Rubaiat`s Blog]:
The use of incidental copyrighted material is covered under 'Fair Use' (Copyright Act, 1976) Title 17 U.S.C Section 107, with particular emphasis on such use for educational and non-profit purposes. Under Sec. 107 of the Copyright Act (1976), allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. This video and/or material may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this video and/or information is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of Fair Use (Moe, AllSeeingEye). If you wish to use copyrighted material from this site for purposes of your own that go beyond 'Fair Use', you must obtain permission from the copyright owner. Digital Millennium Copyright Act-
In Aug 2008, U.S. District Judge Jeremy Fogel of San Jose, California, ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material. [View the blog`s full Fair Use Copyright Disclaimer at the end of the homepage]
The 'zombie-like' Titanic replica An Australian mining tycoon says he'll launch the Titanic II in 2016. Will anybody book a passage? The Week Posted on May 2, 2012, 9:35 am (Image left): Clive Palmer poses in front of an artist impression of the Titanic II at MGM Studios, Los Angeles: The Australian billionaire promises his new ship will be state-of-the-art -- and safe. Photo: AP Photo/Crook Publicity Just weeks after the 100th anniversary of the loss of the Titanic, a billionaire Australian mining magnate, Clive Palmer, has announced plans to build a scale-sized replica of the ill-fated ship, which hit an iceberg and sank on its maiden voyage in 1912. Palmer says the new ship, Titanic II, "will be every bit as luxurious as the original Titanic," but safer. What will the new version of the Titanic be like... and will anybody dare book a passage on it? Here, a brief guide:
Will Palmer's ship be exactly like the Titanic? In many respects, yes. Palmer has hired a research team to make sure the new ship looks and feels as much like the Titanic as possible. The replica will have the same dimensions as the 886-foot, 40,000-ton original ship, making it small by today's standards. It will also have 840 luxury cabins designed like those of the Titanic's era. The new ship will even have four funnels on top, just like the coal-powered Titanic. How will Titanic II be different? For one thing, the smokestacks will be purely decorative; the new ship will be diesel-powered, so it won't need them. The dummy funnels won't be wasted space, though. They'll house an internet cafe, restaurant, and theater. In the spot where the coal boilers were on the original ship, Titanic II will have space for an exhibition on the Australian territory of Queensland, where Palmer has tourism investments. The ship will also have changes in the bow and hull to make it more fuel efficient and maneuverable, and, Palmer says, it will have "state-of-the-art 21st-century technology and the latest navigation and safety systems." So it'll be safe? Yes... although, remember, the original Titanic was thought to be unsinkable, until it hit an iceberg and went down in the icy North Atlantic, killing some 1,500 passengers and crew. The new ship "is going to be designed so it won't sink," with all of the modern technology available to prevent a disaster, Palmer says. "Of course," he tells the Sydney Morning Herald, "it will sink if you put a hole in it."
When will it set sail? Palmer says construction will start late next year. He has signed a preliminary deal to have Titanic II, and three other cruise liners, built in China. (The deal isn't yet a firm order, but merely a "memorandum of understanding.") Palmer hasn't said how much building the ship will cost, but if all goes as planned, the ship will set sail on its maiden voyage in 2016, carrying 1,680 passengers from England to New York, on a route similar to that of the original Titanic. Will people really want to board a new Titanic? That remains to be seen. Palmer realizes that some people won't want to set foot on a ship meant to conjure up memories of one of the deadliest peacetime maritime tragedies in history. "Of course, if you are superstitious," Palmer says. "you never know what could happen." Also, cruise aficionados might find Titanic II a bit cramped, as it will offer less than half the space per passenger as the luxurious Queen Mary 2. Still, Titanic nostalgia is still going strong, so there will be plenty of morbid curiosity about this "zombie-like" resurrection of the ill-fated ship, says Maura Judkis at The Washington Post. "Here's hoping the second time around, the Titanic's journey will be smooth sailing." Sources: ABC News, Associated Press, Cruise Critic, Sydney Morning Herald, Washington Post
Wandering room to room through the sunken wreck, the explorer and filmmaker finds himself at home among the spirits.
By James Cameron
Photograph by Stewart Volland
It had been five hours since my intrepid robot Gilligan left its garage on the front of the submersible Mir 1 and disappeared inside the cavernous shipwreck. Our sub was parked on the upper deck of the most famous wreck in history, surrounded by eternal blackness and over 5,000 pounds per square inch of pressure, both thanks to a two-and-a-half-mile column of water over our heads. Safe inside the Mir, I flew the remotely operated vehicle (ROV) with gentle nudges of the joystick, its thrusters maneuvering it into the ship’s treacherous interior. The “bot” had penetrated to F Deck, paying out a thin fiber-optic cable like Theseus in the labyrinth, with only Ariadne’s twine to guide him back. Though the tiny vehicle was now seven decks below me, I felt as if my consciousness were inside the bot, its cameras my eyes, staring down the corridors of the ship. Its jeopardy was also mine, and my pulse raced with each new hazard. Turning a corner, I barely escaped being pinned by a falling “rusticle,” one of the stalactite-like formations created by the bacteria that are slowly devouring the steel of the ship. As I passed through an entrance, suddenly revealed in my lights were sparkling reflections off a wall of gleaming blue and green tiles. Teak chaise lounges lay upturned on the floor, incredibly well preserved, and above them was an arabesque dome covered in gold leaf. I had entered the elegant spa on the most luxurious ship of its time. “Tell them we’re in the Turkish baths,” I said to Mike Arbuthnot, the marine archaeologist sitting next to me. He keyed the microphone and relayed the message up to the surface.
Our interior archaeological survey of the ship had begun in 1995, as I was wrapping up shooting the wreck for the movie Titanic. Back then we had an unwieldy ROV called Snoop Dog, which was little more than a movie prop, but we flew it down inside the ship’s grand staircase nevertheless, all the way down to D Deck. Its lights revealed that much of the ornate wood paneling remained intact. Snoop reached the end of its tether and could go no farther, but I could not help wondering what lay in the shadows just beyond its lights. After the movie was released, I commissioned the building of two revolutionary new robotic vehicles so we could return and truly explore the interior. In 2001 and again in 2005 I made multiple dives to the Titanic wreck and flew our bots deep inside, exhaustively surveying her interior. Ultimately we imaged and documented 65 percent of Titanic’s surviving internal spaces, including the first-class cabins, first-class reception and dining rooms, steerage cabins and open space, cargo holds, and Marconi room.
One incredible discovery followed another, in dizzying succession. In the first-class dining saloon and reception rooms, we found the tall leaded windows still intact. The hand-carved mahogany paneling on the walls and columns remains, some of it with the original white paint still visible. There are cut crystal chandeliers and, in the first-class staterooms, immaculately preserved brass beds. Filigreed iron grilles cover the yawning elevator shafts. When I first laid eyes on the intact brass call button, I felt as if I could reach out and touch it, and a ghostly elevator might still arrive. Titanic sank on her maiden voyage before her interiors could be photographed, so most of the archival images used as references for the movie’s sets were photos of her sister ship, Olympic. For the first time we were learning how Titanic herself was actually built, and the details of her decoration have now been painstakingly reconstructed from the bot videos. I now know where the movie is accurate, and where it’s not. Of all our discoveries, the most evocative are the relics that suggest the human hands that touched them. In Henry Harper’s D Deck cabin, his bowler hat remains in the ruins of his closet, right where he left it. In Edith Russell’s cabin on A Deck, the mirror still gleams in her washstand, reflecting back the bot’s LED lights instead of Edith’s terrified face as she rushed back into the room to get her lucky toy pig before running to board a lifeboat. In another stateroom, a glass decanter and water glass sit, impossibly, still on the washstand. Had the glass been empty, it would have floated out of its holder when the room flooded, and been lost. But someone took a drink and left it half full, and there it sits today.
In the soundproof Marconi room, the wireless apparatus survives, the knife switches still in the positions left by the young operators, Harold Bride and Jonathan Phillips, revealing that they cut the power when they abandoned their post as the water rushed up the deck outside. We even imaged the transformer they had repaired just the night before the sinking. Acting against guidelines, the two young wireless geeks managed to restore the set to full power—an act that may have saved 712 lives, since without this power they might not have reached the rescue ship Carpathia with their historic SOS. Capturing these precious bot images was like touching history itself. In 2001 I had wanted to get into the C Deck suite of Ida and Isidor Straus, the elderly couple famous for choosing to die together rather than be separated by the evacuation rule of “women and children only.” Their suite was the most ornately decorated on the ship, and in fact had been the basis for Rose’s suite, the room in which Jack Dawson draws the heroine’s portrait in my fictional narrative. I got our stalwart bot Jake as far as the purser’s office, discovering the tall purser’s safe in the process, but I couldn’t penetrate to the Straus suite next door. In 2005, determined to find a way, I wriggled the slightly smaller Gilligan through a constriction, knocking rusticles out of the way, and emerged into an open space. The bot’s lights revealed gleaming gold sparkles. Not only was the ornate mahogany fireplace still intact, but sitting on it was the gold-plated clock, just as it appeared in the archival photo, and just as we had re-created it for the movie. It was a surreal moment, fiction and reality merging in the stygian depths. After 33 dives to the wreck, averaging 14 hours each, I have spent more time on the ship than Captain Smith himself did. In all that exploration, the strongest memories are these out-of-body experiences of ghostwalking through the corridors and stairwells of Titanic via my ROV avatar. Its gothic ruin exists now in a ghostly limbo, neither in our world nor completely gone from it. The rusticles have transformed Edwardian elegance into a phantasmagorical cavern, a surreal underworld ruled only by dream logic. But despite the sheer alienness of the place, I felt a tingling déjà vu exploring there. Having walked the faithfully built movie set for many weeks, I would turn a corner in the wreck and already know, before the bot’s video camera revealed it, what would be there. It was an eerie feeling but also strangely comforting, as if I were somehow home.
At 2:20 a.m. on April 15, 1912, the “unsinkable” R.M.S. Titanic disappeared beneath the waves, taking with her 1,500 souls. One hundred years later, new technologies have revealed the most complete—and most intimate—images of the famous wreck.
All courtesy & property of National Geographic Magazine and National Geographic Channel, please respect copyright and give proper citation. Copyright Disclaimer [Rubaiat`s Blog]:The use of incidental copyrighted material is covered under 'Fair Use' (Copyright Act, 1976) Title 17 U.S.C Section 107, with particular emphasis on such use for educational and non-profit purposes. Under Sec. 107 of the Copyright Act (1976), allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. This video and/or material may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this video and/or information is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of Fair Use (Moe, AllSeeingEye). If you wish to use copyrighted material from this site for purposes of your own that go beyond 'Fair Use', you must obtain permission from the copyright owner. Digital Millennium Copyright Act-
In Aug 2008, U.S. District Judge Jeremy Fogel of San Jose, California, ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material. [View the blog`s full Fair Use Copyright Disclaimer at the end of the homepage]
Published on Mar 10, 2012 by WaterDocumentary http://youtu.be/FAVEEaV2QDE Director James Cameron returns to the site of the wreck of the RMS Titanic. With a team of history and marine experts and friend Bill Paxton, he embarks on an unscripted adventure back to the final grave where 1,517 people lost their lives. Using technology developed for this expedition, Cameron and his crew are able to explore virtually all of the wreckage, inside and out, as never before. RMS Titanic was a passenger liner that sank in the North Atlantic Ocean on 15 April 1912 after colliding with an iceberg during her maiden voyage from Southampton to New York City. The sinking of Titanic caused the deaths of 1,517 people in one of the deadliest peacetime maritime disasters in history. Titanic was the largest ship afloat at the time. Producer & Director James Cameron Cast Bill Paxton, Dr. John Broadwater, Dr. Lori Johnston, Charles Pellegrino, Don Lynch Director of Photography Vince Pace Music Joel McNeely, Lisa Torban Released by Walt Disney Pictures & Walden Media Release date 2003 Running time 90 min. Video courtesy of WaterDocumentary and property of Walt Disney Pictures & Walden Media, please respect copyright and use proper citation. FAIR USE STATEMENT: This Video may contain copyrighted material, the use of which may not have been specifically authorized by the copyright owner. I am making this material available in an effort to advance understanding of , political, religion, human rights, economic, and social justice issues, etc
Copyright Disclaimer [Rubaiat`s Blog]:
The use of incidental copyrighted material is covered under 'Fair Use' (Copyright Act, 1976) Title 17 U.S.C Section 107, with particular emphasis on such use for educational and non-profit purposes. Under Sec. 107 of the Copyright Act (1976), allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. This video and/or material may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this video and/or information is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of Fair Use (Moe, AllSeeingEye). If you wish to use copyrighted material from this site for purposes of your own that go beyond 'Fair Use', you must obtain permission from the copyright owner. Digital Millennium Copyright Act-
In Aug 2008, U.S. District Judge Jeremy Fogel of San Jose, California, ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material. [View the blog`s full Fair Use Copyright Disclaimer at the end of the homepage]
Uploaded by LostWhiteStarLiners on Jul 12, 2011 http://youtu.be/mCbDf9YHh24 The American airing of the UK's Titanic: The Mission series in which four engineers toil to bring iconic sections of the RMS Titanic back to life using technology of a century past.
Video uploaded by LostWhiteStarLiners and property of National Geographic Channel, please respect copyright and give proper citation. Copyright Disclaimer [Rubaiat`s Blog]: The use of incidental copyrighted material is covered under 'Fair Use' (Copyright Act, 1976) Title 17 U.S.C Section 107, with particular emphasis on such use for educational and non-profit purposes. Under Sec. 107 of the Copyright Act (1976), allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. This video and/or material may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this video and/or information is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of Fair Use (Moe, AllSeeingEye). If you wish to use copyrighted material from this site for purposes of your own that go beyond 'Fair Use', you must obtain permission from the copyright owner. Digital Millennium Copyright Act-
In Aug 2008, U.S. District Judge Jeremy Fogel of San Jose, California, ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material. [View the blog`s full Fair Use Copyright Disclaimer at the end of the homepage]
